Thursday, May 23, 2019
Comparison of Setting between Wuthering Heights and Jane Eyre Essay
In two literary works, Wuthering high gear by Emily Bronte and Jane Eyre by Charlotte Bronte, shotry plays an important role. Setting shadow be described as the while http//www.ntsearch.com/search.php?q=time&%3Bv=56 and place in which an unconstipatedt occurs. It helps the reader to understand the story and where the character is coming from. Both the authors associate setting to the characters in the story. In Wuthering Heights, the setting represents the genius or characteristics of the characters while in Jane Eyre, the setting has a function to show the characters development bar-to-end the story.Throughout the novel Wuthering Heights, Emily Bronte effectively implements weather http//www.ntsearch.com/search.php?q=weather&%3Bv=56 and setting to give the reader the inside of the individual(prenominal) http//www.ntsearch.com/search.php?q=personal&%3Bv=56 feeling of the characters. The setting used throughout the novel, helps to set the mood to describe the characters. Th ere atomic number 18 two main settings in Wuthering Heights the houses http//www.ntsearch.com/search.php?q=houses&%3Bv=56 of Wuthering Heights and Thrushcross Grange. Each house represents its inhabitants. The wild, uncivilized manner of Wuthering Heights and the high cultured, civilized nature of Thrushcross Grange argon studyed in the characters who inhabit them.Wuthering Heights is a house http//www.ntsearch.com/search.php?q=house&%3Bv=56 set high upon a hill where is overt to extreme weather http//www.ntsearch.com/search.php?q=weather&%3Bv=56 conditions. The name of the place itself is symbolic of its nature, Wuthering being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is undetermined in stormy weather http//www.ntsearch.com/search.php?q=weather&%3Bv=56. (page 2). Heights is a bleak, thick-walled farmhouse surrounded by wild, windy moors. The Heights is starchy, built with narrow windows http//www.ntsearch.com/search.php?q=wi ndows&%3Bv=56 and juttingcornerstones, and is fortified to take hold harsh conditions (page 2).The path that is ne arest to the Heights is long and winding, with many pits, at least, were alter to a level and entire ranges of mounds, the refuse of the quarries . . . blotted from the chart (page 19). The description of, a few stunted firs at the end of the house http//www.ntsearch.com/search.php?q=house&%3Bv=56, and, a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. (page 2) proves that even the vegetation surrounding the structure conjures images that lack warmth and happiness.1 Moreover, as the story goes on, the image of a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun is similar to the condition of Heathcliff (the thorn) as he tries to reach Catherine (the sun)The Heights appearance is wild, untamed, disordered, and hard. The characters at Heights tend to be strong, wild, and passionate, much sta ndardised the house http//www.ntsearch.com/search.php?q=house&%3Bv=56 itself. Heathcliff is Wuthering Heights human incarnation. He is abusive, brutal and cruel, and as wild and dark as the moors surrounding Heights.2 Catherine is stubborn, mischievous, wild, impulsive, and arrogant Hindley is wild, uncontrollable, jealous and revengeful. In Heights, e very(prenominal)one shouts pinching, slapping and sensory hair http//www.ntsearch.com/search.php?q=hair&%3Bv=56 pulling occur constantly. Catherine, instead of shaking her gently, wakes Nelly Dean up by pulling her hair http//www.ntsearch.com/search.php?q=hair&%3Bv=56.1 The bleak and harsh nature of the Yorkshire hills is non a geographic accident. It mirrors the roughness of those who live there2 As a whole, Heights symbolizes hate, anger, and jealousy.Opposite of Wuthering Heights, Thrushcross Grange is set within a lush, protected valley and is cover by a high stonewall. It is filled with light and warmth Unlike Wuthering Height s, it is elegant and comfortable-a splendid place carpeted with crimson, and crimson covered chairs and tables, and a pure white ceiling bordered by gold.1 It is surrounded by neat, orderly parks and gardens. The Grange is extremely luxurious and beautiful filled with music http//www.ntsearch.com/search.php?q=music&%3Bv=56,books http//www.ntsearch.com/search.php?q=books&%3Bv=56, and other lovely objects which express a civilized, controlled atmosphere. The house http//www.ntsearch.com/search.php?q=house&%3Bv=56 is neat and orderly, comfortable and refined, and there is perpetually an abundance of light.2The characters at the Grange are passive, civilized, and calm, which personifies the house http//www.ntsearch.com/search.php?q=house&%3Bv=56 they live in. The Lintons are all very polite, respectable people http//www.ntsearch.com/search.php?q=people&%3Bv=56. They are characterized as having, pure, pale skin, and light hair http//www.ntsearch.com/search.php?q=hair&%3Bv=56. The reside nts of this house http//www.ntsearch.com/search.php?q=house&%3Bv=56 have much lighter-sounding names than those in Heights Edgar and Isabella. Isabella and Edgar Linton are well behaved and gentle, as refined and civilized as the Grange Catherine Linton is energetic and warm- center fielded, relating to the bright, snug air of the Grange.2In line of business, Heights is governed by inseparable elements, especially wind, water http//www.ntsearch.com/search.php?q=water&%3Bv=56, fire, and animals. The world at Grange, however, revolves around reason, formality, and money http//www.ntsearch.com/search.php?q=money&%3Bv=56.2 Heathcliff and Catherine belong to the natural and immaterial world while the Lintons live in a purely material society. Moreover, the inhabitants of Heights were working-class, while those of the Grange were upper-class society.All of the characters in the novel to a fault reflect the masculine and feminine values of the places they live in. Heights is extremely masculine in that it is strong, wild, and primitive, whereas the Grange is seen as more feminine with marked decadence and gentility.2 Catherine Earnshaw is willful, wild, and strong (masculine) while Edgar Linton is described as weak person (feminine). Heathcliff is ever so out of place at Grange because he is absolutely masculine. The Lintons are a contrast to Catherine and Heathcliff in that they are safe, spoiled, and cowardly as opposed to being self-willed, strong, and rebellious.2 When Edgar Linton insultsHeathcliff, Heathcliff throws a bowl of hot applesauce on Edgar, and in response Edgar whines and cries instead of fighting back. duration Heights was always full of activity, sometimes to the point of chaos, lifespan at the Grange always seemed peaceful. Heights was always in a state of storminess while Grange always seemed calm.1 Bront made Heathcliff and Wuthering Heights as one, making them both cold, dark, and menacing, similar to a storm. She also made Thrushcross G range parallel with the Lintons, which has more of a welcoming, peaceful setting.The marriage of Edgar and Catherine is doom from the very beginning not only when because she does not love http//www.ntsearch.com/search.php?q=love&%3Bv=56 him, but also because each one is so strongly associated with the values of his or her home http//www.ntsearch.com/search.php?q=home&%3Bv=56. Only Hareton and Catherine Linton can sustain a successful mutual relationship because each embodies the psychological characteristics of both Heights and Grange.2 Catherine appears to display more Linton characteristics than Earnshaw, but her desire to explore the wilderness outside of the Grange links her strongly to the wild Heights people http//www.ntsearch.com/search.php?q=people&%3Bv=56.Hareton is rough on the edges because of the influence Heathcliff has had on him, but he has a kind and gentle heart as well as a desire to learn and better himself, which makes for an interesting combine of the charac teristics of each household. At the end of the story, the garden that Cathy Linton planted is filled with twisted fir trees and domestic plant. These two kinds of plants joining together represent her personality very well. She has rage, as the twisted fir tree like her mother, and civility as the domestic plants like her father.2Emily Bronte also uses weather http//www.ntsearch.com/search.php?q=weather&%3Bv=56 and seasons to create atmosphere and reflect the feelings of the characters. For manakin, after Heathcliff runs away There was a violent wind, as well as thunder and a storm came rattling over the Heights in full fury (page 53). Thisemphasizes the storm of feelings in the characters concerned.3 Bronte is able to allow the outer weather http//www.ntsearch.com/search.php?q=weather&%3Bv=56 to symbolize the inner emotional state of Catherine.4 Other example of changes in the weather http//www.ntsearch.com/search.php?q=weather&%3Bv=56 is when Cathys mood changes after her meetin g with Heathcliff The rain began to drive through the moaning branches of the trees, and warned us to avoid delayCatherines heart was clouded now in double darkness (page 148).3Toward the end of the novel, around the time http//www.ntsearch.com/search.php?q=time&%3Bv=56 of Lockwoods return to visit Heights, the weather http//www.ntsearch.com/search.php?q=weather&%3Bv=56 dead becomes kinder and the setting is friendlier4 It was sweet, warm weather (page 192). There was a fragrance of stocks http//www.ntsearch.com/search.php?q=stocks&%3Bv=56 and wall flowers http//www.ntsearch.com/search.php?q=flowers&%3Bv=56, that wafted on the air, from amongst them homely fruit trees. This represents the peaceful in the Heights.Fundamentally, Brontes Wuthering Heights is a tale of two very unalike households that produce two very different types of people http//www.ntsearch.com/search.php?q=people&%3Bv=56. As its name suggests, Wuthering Heights is exposed to the wildness of the elements, and it first generation characters are associated with the heights of passion. Thruscross Grange has gentler, more cultivated, perhaps Christian (cross) connotations, and it first generation characters are more civilized. In the second generation, the contrast becomes blurred, as Cathy and Hareton plant flowers http//www.ntsearch.com/search.php?q=flowers&%3Bv=56 from the Grange in their garden at the Heights, and in the long run move to the Grange.3Connecting the setting with the time http//www.ntsearch.com/search.php?q=time&%3Bv=56 the novel was written, the contrast between the houses http//www.ntsearch.com/search.php?q=houses&%3Bv=56 portrays the death or decline of Romanticism. Heights is representative of Romantic excesswild, passionate, hard. Romantics worshipped nature and were quick to show emotion and/or passion. The Heights is Romanticism taken to excess. Grange, on the other hand, represents the predominant strait-laced values of the timerepression of emotions, education http/ /www.ntsearch.com/search.php?q=education&%3Bv=56, and money http//www.ntsearch.com/search.php?q=money&%3Bv=56. The end of Wuthering Heights (Cathy and Hareton abandoning Heights and moving http//www.ntsearch.com/search.php?q=moving&%3Bv=56 to Grange) represents the end of Romanticism, and the ultimate dominance of Victorian values.5For Jane Eyre, the settings describe the development in Janes life. Charlotte Bronte sets her story in the 1840s, a time http//www.ntsearch.com/search.php?q=time&%3Bv=56 often referred as the Victorian age. By doing this, the reader can get a sense of how women were treated, and what responsibilities they were required to maintain in society. Jane lives in a world and in a time http//www.ntsearch.com/search.php?q=time&%3Bv=56 where society thought women were too fragile to ponder. Women at the time http//www.ntsearch.com/search.php?q=time&%3Bv=56 have barely any rights at all and are not allowed prominent positions.6 Jane was a very strong woman for her t ime http//www.ntsearch.com/search.php?q=time&%3Bv=56, as she did not allow people http//www.ntsearch.com/search.php?q=people&%3Bv=56 to mistreat her.She is on a constant search http//www.ntsearch.com/search.php?q=search&%3Bv=56 for love http//www.ntsearch.com/search.php?q=love&%3Bv=56 and goes to many places to key out it. Throughout Jane Eyre, as Jane herself moves from one physical location to another (Gateshead Hall, Lowood Institution, Thornfield Manor, Moor domicile http//www.ntsearch.com/search.php?q=House&%3Bv=56, and Ferndean Manor), the settings match the conflicting circumstances Jane finds herself in at each. Each time http//www.ntsearch.com/search.php?q=time&%3Bv=56 Jane moves from one locale to another the narrative breaks to set the scene and stress http//www.ntsearch.com/search.php?q=stress&%3Bv=56 that this settingwill form a new stage in Janes life7 As Jane grows older and her hopes and dreams change, the settings she finds herself in are perfectly accustomed to h er state of mind, but her circumstances are always defined by the walls, real and figurative, around her.8As a young girl, she is fundamentally trapped in Gateshead. Her life as a child is sharply delineated by the walls of the house http//www.ntsearch.com/search.php?q=house&%3Bv=56. She is not made to feel treasured within them and her emotional needs were ignored. Another place, Lowood, is bounded by high walls that sharply define Janes world. Except for Sunday services, the girls of Lowood never leave the limits of those walls. Jane has always lived within physical walls and even as a teacher at Lowood had to get permission to leave.Thornfield is in the open country and Jane is free http//www.ntsearch.com/search.php?q=free&%3Bv=56 from restrictions on her movements. She is still restricted, in a sense, but now she is living with relative freedom.8 This home http//www.ntsearch.com/search.php?q=home&%3Bv=56 was a turning point in Janes life because it was the place that major matu ring took place in Janes life. She finally was able to feel authentic love http//www.ntsearch.com/search.php?q=love&%3Bv=56 and be loved back, and the love that she had was true love.At Moor House http//www.ntsearch.com/search.php?q=House&%3Bv=56, the walls that Jane finds herself within are attractive because of the companionship of Mary and Diana. In the end, she returns to Rochester at Ferndean and, she thinks, to the walls that suit her best. All the walls that had restricted her are gone. She has moved beyond the walls and can be the person that she truly is.8 This home http//www.ntsearch.com/search.php?q=home&%3Bv=56 was very different than the other ones that Jane lived in it was the one that she was truly intellectual in although it was just a simple home http//www.ntsearch.com/search.php?q=home&%3Bv=56.Each setting is dominated by different tone. At Gateshead, the tone is passionate, superstitious, and wild. This shows us the senseless elements in Janes character. The to ne at Lowood is cold, hard, and constrained and reflects the limitations placed on young women by religious thought and social convention. At Thornfield, the setting is personal http//www.ntsearch.com/search.php?q=personal&%3Bv=56 and symbolic, for instance the house http//www.ntsearch.com/search.php?q=house&%3Bv=56 itself is identified with Rochester.7 At Moor House http//www.ntsearch.com/search.php?q=House&%3Bv=56 the tone again becomes more stifling and oppressive as Jane slips back into a more conventional way of behaving, and begin to feel the limitations of St Johns urge to self-sacrifice.7 When we finally reach Ferndean, we move at utmost from fear and anticipation to delight. The novel therefore swings between the irrational Gateshead and Thornfield and the rational Lowood and Moor House http//www.ntsearch.com/search.php?q=House&%3Bv=56 reflecting the division within Jane herself, until resolution is achieved at Ferndean.7Here, we can see that Bronte uses setting as an important role in the search http//www.ntsearch.com/search.php?q=search&%3Bv=56 for domesticity. Instead of returning to her childhood home http//www.ntsearch.com/search.php?q=home&%3Bv=56 to find domesticity, Jane cannot find home http//www.ntsearch.com/search.php?q=home&%3Bv=56 until she moves to a totally different place. Setting plays an equally important role as she moves from Gateshead Hall to Lowood to Thornfield to Moor House http//www.ntsearch.com/search.php?q=House&%3Bv=56, and finally to Freudian Manor. She cannot find her native ideal at Gateshead Hall, the site of her childhood torment or Lowood, a boarding school or Thornfield, where Rochester hid his first married woman and almost became a bigamist or Moor House http//www.ntsearch.com/search.php?q=House&%3Bv=56, where St. Johns presence constantly reminds her of true love http//www.ntsearch.com/search.php?q=love&%3Bv=56 rarity. She and Rochester can only create their own domestic haven in a totally new and fresh setti ng.Consequently, by allowing Jane to go through so many different settings, Bronte is showing the growth that she undergoes. This growth is from a temperamental young girl to a strong married woman.From those two novels discussed here, we can see that both authors use setting as an important mean in building the characters. If in Wuthering Heights the setting has a function to tell about the characters nature where each character distinctly represents the house http//www.ntsearch.com/search.php?q=house&%3Bv=56 he or she lives in and the values associated with it then Jane Eyre uses setting to show the development happens in the characters life. From here, we can see that the setting seems to mimic the feeling of the individuals that are within the novel.